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Godzilla: City on the Edge of Battle
Directed byKobun Shizuno
Hiroyuki Seshita
Produced byTakashi Yoshizawa
Written byGen Urobuchi
StarringMamoru Miyano
Takahiro Sakurai
Tomokazu Sugita
Yuki Kaji
Junichi Suwabe
Music byTakayuki Hattori
Production
company
Distributed by
  • Toho (Japan)
  • Netflix(Worldwide)
  • May 18, 2018 (Japan)
100 minutes[1]
CountryJapan
LanguageJapanese

[Classic Sci-Fi ] Gorath (1962) 12 torrent download locations thepiratebay.se [Classic Sci-Fi ] Gorath (1962) Video Movies 10 days bt-scene.cc [Classic Sci-Fi ] Gorath (1962) Movies 2 days monova.org [Classic Sci-Fi ] Gorath (1962) Movies 1 day seedpeer.eu [Classic Sci-Fi ] Gorath (1962) Movies Misc 2 days torrentdownloads.me [Classic Sci-Fi. In 1980, a giant planetoid named Gorath is discovered to be on a collision course with Earth. After a couple of scouting missions go poorly, the Earth's scientists come up with a desperate plan to build giant rockets at the South Pole to move Earth out of Gorath's path, before it is too late. Original Release: 1962.

Godzilla: City on the Edge of Battle[2] (GODZILLA 決戦機動増殖都市Gojira: Kessen Kidō Zōshoku Toshi, also known as Godzilla Part 2: City on the Edge of Battle)[3] is a 2018 Japanesecomputer-animatedscience fictionkaiju film featuring Godzilla, produced by Toho Animation and animated by Polygon Pictures, in association with Netflix. It is the 33rd film in the Godzilla franchise, the 31st Godzilla film produced by Toho, and the second entry in the anime trilogy. It is a sequel to Godzilla: Planet of the Monsters and is co-directed by Kōbun Shizuno and Hiroyuki Seshita. The film was released theatrically in Japan on May 18, 2018, and released worldwide on Netflix on July 18, 2018. A sequel, Godzilla: The Planet Eater, was released in Japan on November 9, 2018.

(1962).Yosei.Gorasu.(Gorath).eng.srt 62 KB (1962).Yosei.Gorasu.(Gorath).jpg 475 KB; Torrent downloaded from Demonoid.com.txt 47 B (1962).Zotz (1962).Zotz.Synopsis.txt 6 KB (1962).Zotz.avi 896 MB (1962).Zotz.jpg 268 KB; Torrent downloaded from Demonoid.com.txt 47 B; 1962 Part 2. Torrent downloaded from Demonoid.com.txt 47 B; Please note that. Download, Listen and View free Old 1962 Movie, 'Gorath' Depicts 'Planet X' type Object MP3, Video and Lyrics Godzilla vs Meteor (Gorath) with 1/2 Speed Explosion (Godzilla Final Wars 2004) → Download, Listen and View free Godzilla vs Meteor (Gorath) with 1/2 Speed Explosion (Godzilla Final Wars 2004) MP3, Video and Lyrics. 'Gorath' is about a comet from space that is about to hit the earth. Since movie techniques were not advanced enough in 1962, there is no Armageddon -like blasting (dubious research comes to the conclusion that the comet can't be blown up).

  • 3Production
  • 4Release

Plot[edit]

Following the events of Godzilla: Planet of the Monsters, the Aratrum is unable to contact Haruo and the rest after their encounter with the original Godzilla. The Captain orders the Aratum's withdrawal if drones fail to find survivors within 48 hours. Haruo Sakaki is revealed rescued by a native girl named Miana, who treated his wound with a strange powder. Haruo reunites with some of teammates while they confronted who they later learned to be Miana's twin sister Maina before being captured by the latter's hunting party. The group are reunited with Martin Lazzari whose platoon have been healed by twins' people who are known as the 'Houtua', surviving descendants of humans who remained on Earth and safeguard the egg of their fallen deity.

The group are telepathically questioned by the twins and the Houtua leaders over why they burned their lands, letting them go once Haruo explains they were only attacking Godzilla. Accompanied by Miana and Maina as their protective guides and observers, the twins revealing they can also speak verbally, Haruo's group reunites with Metphies and the other survivors during an encounter with the Servum. During the fight, Galu-Gu realizes that the twins' arrowheads are laced with 'nanometal', the nanotechnology used to create Mechagodzilla. Galu-Gu explains that the nanometal somehow survived and expanded itself over the past 20 millennia. Haruo is convinced by Galu-Gu to remain on Earth and resume the plan to kill Godzilla, sending a few crew members back to the Aratrum. The group trace the energy signature to the rebuilt facility that held Mechagodzilla, which Galu-Gu christens 'Mechagodzilla City'. The twins part ways with the group while warning Haruo that the nanometal is poisonous; the Bilusaludo assuring the group that the technology is only harmful to Godzilla.

The team soon finds that surviving half of Mechagodzilla's head is the source of the nanometal as Galu-Gu accesses Mechagodzilla's brain to construct all necessary materials to trap Godzilla within the city and cover it with nanometal to finish it off with EMP harpoons. While overseeing the construction, her mech suit modified into one of three Vulture exo-armors, Yuko confesses her feelings for Haruo and kisses him. Feeling slightly ill since entering the city like some of the others, Haruo finds Metphies working in a cave to repair an item with some of Galu-Gu's technology. Metphies cryptically hints the Bilusaludos' motives of becoming monsters themselves due to their obsession with logic, confiding to Haruo the name of a greater terror than Godzilla that destroyed his homeworld: 'Ghidorah'.

As Godzilla awakens, most of the human members are horrified to learn that most of the Bilusaludo had willingly allowed themselves to be assimilated into Mechagodzilla City to further fortify it. Godzilla's quick advance on the city forces Galu-Gu to sacrifice the city's defenses in order to divert power to finish the harpoon while Haruo, Yuko and Belu-be use the Vultures to slow Godzilla down. Though the trio managed to hold Godzilla for the plan to go underway, Godzilla survives the trap and proceeds to overheat the facility. This forces a defiant Galu-Gu to fuse with the nanometal as the humans escape the city. Galu-Gu then has the Vultures absorb their pilots to use as sacrificial spears to kill Godzilla.

Haruo is unaffected while Yuko is being slowly converted against her will. Metphies warns a conflicted Haruo that Mechagodzilla City will consume Earth if not stopped and that its destruction could save Yuko, Galu-Gu arguing that transcending their humanity is the only way to kill Godzilla. Haruo ultimately decides to fight Godzilla with his humanity intact, the destruction of Galu-Gu and the command center rendering the nanometal inert as Godzila frees itself and destroys the city. Haruo tends to Yuko, who is unable to wake from her comatose state, while the surviving humans hide in a cave with Metphies as everything burns around them.

Voice cast[edit]

CharactersJapanese[2]English[3][4][5]
Haruo SakakiMamoru MiyanoChris Niosi
MetphiesTakahiro SakuraiLucien Dodge
Yuko TaniKana HanazawaCristina Vee
Martin LazzariTomokazu SugitaEdward Bosco
Adam BindewaldYuki KajiRobbie Daymond
Mulu-Elu Galu-GuJunichi SuwabeJamieson Price
MainaReina UedaKendall Gimbi
MianaAri OzawaRachelle Heger
Rilu-Elu Belu-beKenta MiyakeRich Brown
Unberto MoriKenyu HoriuchiKeith Silverstein
Halu-Elu Dolu-doKazuya NakaiDoug Stone
EndurphKazuhiro YamajiJoe Ochman

Production[edit]

The second installment in the anime trilogy was announced in a second post-credits scene in the theatrical release of the film revealing the film's Japanese title, poster featuring Mechagodzilla and the film's 2018 release date. The film's Japanese title was revealed as Gojira: Kessen Kidō Zōshoku Toshi (translations varied from Godzilla: Battle Mobile Breeding City to Godzilla: The City Mechanized for the Final Battle),[6][7] while the English title was later revealed as Godzilla: City on the Edge of Battle.[8] In March 2018, the film's official website revealed a new poster, plot details, and that singer XAI would return to perform the film's theme song The Sky Falls.[9] The English dub was produced by Post Haste Digital.[4]

Music[edit]

Takayuki Hattori returned to compose the soundtrack, marking it his fourth Godzilla film score. XAI also returned to perform the film's theme song The Sky Falls. On his work on the film, Hattori stated:

'18 years after Godzilla 2000, I am glad to be back in the world of the new Godzilla which was opened by Shin Godzilla. This is the first animated film in the history of Godzilla, and I am excited to be able to take on the challenge while at the same time I feel it is a very big mission. I think this will be a Godzilla movie that you can’t possibly imagine. I expressed in music my own feelings about the characters and the overwhelming presence of Godzilla created by the two directors, Mr. Shizuno and Mr. Seshita.' - Takayuki Hattori, Toho Press Notes[2]

Release[edit]

Godzilla: City on the Edge of Battle was given a theatrical release in Japan on May 18, 2018,[6] and released worldwide on Netflix on July 18, 2018.[10]

Box office[edit]

Godzilla: City on the Edge of Battle was released in 158 theaters in Japan and reached eighth place at the box office.[11] The film earned ¥100 million on its first week.[12]

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Critical reception[edit]

Naoya Fujita from IGN gave the film a 4.5 rating, indicating a 'bad' rating, stating, 'Godzilla: City on the Edge of Battle takes some promising ingredients, but cooks them into an unpalatable meal. We never really understand what the protagonists are fighting for, and there's not even a satisfying scene of urban destruction (a Godzilla staple). It fails both emotionally and viscerally.'[13] James Grebey from Inverse called the film 'bleakly pointless', stating the film is 'extremely self-serious, depressing and fairly light on fun' and called the film 'the biggest bummer in Godzilla’s filmography.'[14] James Perkins from HeyUGuys gave the film 3 stars out of 5, stating the film is 'neither the best or worst iteration of the Godzilla franchise but is most definitely made with the intention of trying something new but adding a heavy sci-fi and futuristic element to the famous monster.'[15]

Jeff Pawlak from Geekiverse awarded the film 5.5 out of 10, feeling that the film had 'great ideas' with an 'interesting setting' but felt the CG animation was 'ugly as ever', felt the film lacked complex characters and action, stating 'City on the Edge of Battle completely mishandles the pass from Planet of the Monsters, failing to adequately explore the worthwhile worldbuilding it introduces, or that its predecessor introduced.'[16] Callum May from Anime News Network gave the film an overall A- rating, praising Haruo for growing as a character but criticized the lack of development for the other characters. May also criticized the second act for dragging by having the characters simply wander in the city. May concluded by stating, 'While it doesn't fix many of the issues from the first film, Haruo's development manages to sell a more character-driven narrative and makes his relationships more empathetic. It's perhaps not the film that fans were expecting, but it's the film this trilogy needed to lead into an epic conclusion in Godzilla: The Planet Eater.'[17]

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Mitch Nissen from ComiConverse gave the film 3 stars out of 5, criticizing the slow pace but praising the film for improving on Part 1 by expanding its ideas. Nissen also noted how the anime films do not feel like anime or kaiju films but rather, legitimate sci-fi reinventions, stating, 'they are pure science fiction. Fans of in-depth cerebral science fiction should find much to enjoy about the films. References to Godzilla lore abound, much visible only to the hyper analytical Godzilla fan.'[18] Taylor Bauldwin from Geeks of Color called the film 'disappointing'. He criticized the slow pace, the lack of compelling motivations for the characters, and the climax battle for not carrying any weight. He concluded by stating, 'I did enjoy the style and sounds of the movie but that alone is not nearly enough for redemption here. This movie begins, things happen, and then the movie ends exactly the same way it started.'[19]

Sequel[edit]

The third and final film in the anime trilogy, titled Godzilla: The Planet Eater was released on November 9, 2018.[20]

References[edit]

  1. ^ゴジラ決戦機動増殖都市
  2. ^ abc'Godzilla: City on the Edge of Battle Press Notes From Toho'. SciFi Japan. Retrieved April 28, 2018.
  3. ^ ab'Godzilla: City on the Edge of Battle Debuts Worldwide on Netflix July 18th'. SciFi Japan. Retrieved July 6, 2018.
  4. ^ abAiken, Keith (July 11, 2018). 'Godzilla: City on the Edge of Battle English Dub Credits'. SciFi Japan. Retrieved July 11, 2018.
  5. ^Aiken, Keith (December 31, 2018). 'Godzilla: The Planet Eater — Updated English Dub Credits List'. SciFi Japan. Retrieved January 1, 2019.
  6. ^ abSchilling, Mark (November 16, 2017). 'Toho to Make Second and Third 'Godzilla' Animation Movies'. Variety. Retrieved November 16, 2017.
  7. ^'2nd Godzilla Anime Film Teases Mechagodzilla Before May Debut'. Anime News Network. November 11, 2017. Retrieved November 24, 2017.
  8. ^'Godzilla: City on the Edge of Battle Anime Film Reveals Story, Visual, XAI Theme Song'. Anime News Network. March 19, 2018. Retrieved March 20, 2018.
  9. ^Chapman, Paul (March 19, 2018). 'Mechagodzilla Launches in New 'Godzilla' Anime Film Key Visual'. Crunchyroll. Retrieved March 19, 2018.
  10. ^Barkan, Jonathan (July 5, 2018). 'Godzilla: City on the Edge of Battle Coming to Netflix Very, Very Soon'. Dread Central. Retrieved July 6, 2018.
  11. ^Pineda, Rafael (May 22, 2018). 'Godzilla Opens at #8, Detective Conan Stays at #1'. Anime News Network. Retrieved May 24, 2018.
  12. ^『アニゴジ2』興行収入は?最新ランキングや動員数は?
  13. ^Fujita, Naoya (July 17, 2018). 'Godzilla: City on the Edge of Battle Review'. IGN. Retrieved July 18, 2018.
  14. ^Grebey, James (July 19, 2018). ''Godzilla: City on the Edge of Battle' Is the Most Depressing Godzilla Film'. Inverse. Retrieved August 12, 2018.
  15. ^Perkins, James (July 23, 2018). 'Godzilla: City on the Edge of Battle Review'. HeyUGuys. Retrieved August 12, 2018.
  16. ^Pawlak, Jeff (July 23, 2018). 'Godzilla: City On The Edge of Battle Review'. Geekiverse. Retrieved November 5, 2018.
  17. ^May, Callum (July 26, 2018). 'Godzilla: City on the Edge of Battle - Review'. Anime News Network. Retrieved January 11, 2019.
  18. ^Nissen, Mitch (July 30, 2018). 'Godzilla: City on the Edge of Battle Film Review: A Tasty Slice Of Kaiju'. ComiConverse. Retrieved January 11, 2019.
  19. ^Bauldwin, Taylor (August 6, 2018). 'Netflix's 'Godzilla: City on the Edge of Battle' is a Very Disappointing Sequel – Review'. Geeks of Color. Retrieved January 11, 2019.
  20. ^Barkan, Jonathan (May 17, 2018). 'Posters Suggests Ghidorah Coming to Godzilla Anime'. Dread Central. Retrieved May 18, 2018.

External links[edit]

  • Godzilla: City on the Edge of Battle on IMDb
  • Godzilla: City on the Edge of Battle (anime) at Anime News Network's encyclopedia
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Godzilla:_City_on_the_Edge_of_Battle&oldid=901493789'
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Magma is one of the few monsters in the Toho menagerie to not appear in any films in the Godzilla series. Interestingly, there were plans to have the monster appear in Destroy All Monsters (1968) but it was decided not to include him.
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Originally, the film wasn't going to include the giant walrus Magma. However, producer Tomoyuki Tanaka insisted that the monster be put into the film, so Ishirô Honda added the sequence, albeit reluctantly.
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Gorath (1962) Download Torrent
Most of the ship and helicopter models seen in the South Pole construction sequence were scale model kits that were made by Revell and Aurora. Many of these kits have been re-released and are still available.
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Gorath was released theatrically in Japan on 21 March 1962 where it was distributed by Toho. It was released in the United States as Gorath by Brenco Pictures through Allied Artists Pictures with an English-language dub on 15 May 1964. The film was double-billed in the United States with The Human Vapor.
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Paul Frees performed the voiceover in the first few moments of the English-language version of the movie. He was known for his spot-on impersonation of Orson Welles and was a ubiquitous voice-over artist in the 1950s and 1960s.
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Originally, the monster Magma or Maguma was meant to be a reptilian creature. Not wanting to simply do a rehash of Godzilla, Ishirô Honda had it changed to a giant walrus instead.
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Director Ishirô Honda would go on to name this his favorite film for its message of human equality and international cooperation, however he always felt the forced-in scene of the giant monster Maguma brought the film down. He felt he should have fought harder against its inclusion.

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While the movie's premise is entirely fictitious and unscientific, director Ishirô Honda thought it was important to present it in a plausible manner. The calculations seen on the blackboard during the scientific conference were actually chalked up by a real professor to lend the film some credibility. Honda also worried that the movie would downplay the effects of the Moon's destruction and that a scenario where a speeding planetoid's gravitational pull destroys the Moon but mostly spares Earth would be too unrealistic. Producer Tomoyuki Tanaka insisted he should not be concerned about such details, arguing that realism wouldn't make for a good movie.
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